#23 “Blue Eyes” by Elton John (highest chart position #12)
#The gap band let it whip lyrics tv
He told me, for my book Playing Back The 80s: A Decade Of Unstoppable Hits, that hearing it played on a 2000s-era TV show gave him a new appreciation for “Someday, Someway”: “I realized that the song and the record had achieved longevity and I thought that’s a f’ing great thing.” But Marshall Crenshaw had the last laugh.
The song itself is so perfectly composed that it’s hard to believe that it wasn’t a top 10 smash. Crenshaw, singing from the heart over an infectious rockabilly rhythm, was like a man out of time. By that time, the New Romantics were all over the airwaves with synths, mechanical beats, and arch vocals. Whenever this track came on the radio back in the early 80s, it actually sounded alien. #36 “Someday, Someway” by Marshall Crenshaw (highest chart position #36) The bomb is just a metaphor for a doozy of a love affair, as Charlie Wilson belts his way through the concussive, synth-funk groove that is an immediate party-starter to this day. Because the band is from near Tulsa, an urban legend has grown up around “You Dropped A Bomb On Me” that the song was inspired by the Tulsa Race Massacre of1921, but that’s not the case. So it’s probably a triumph that The Gap Band’s biggest hit reached as high as it did considering the climate. Related: “Mick Fleetwood: Passionate Underachiever” #42 “You Dropped A Bomb On Me” by The Gap Band (highest chart position #31)įunk-flavored R&B had a hard time finding its way on the pop charts in the early 80s, in large part because MTV, which was a kingmaker at the time, didn’t play any of it on the air. Critics sometimes have their way with Mac’s 80s output, but this one is pretty unassailable. The song is essentially a look back at her pre-fame self (“back to the gypsy that I was”), backgrounded by a sultry groove that was right in the wheelhouse of John McVie and Mick Fleetwood and embellished by one of Lindsey Buckingham’s most piercing solos to close out the song. But it has long since become a favorite of Fleetwood Mac’s estimable catalog, encapsulating Stevie Nicks’ idiosyncratic, captivating songwriting style as well as her mesmerizing vocals.
#The gap band let it whip lyrics mac
#69 “Gypsy” by Fleetwood Mac (highest chart position #12)īy the rules of this article series, “Gypsy” is a hidden gem, as it came up just shy of the Top Ten when it was released. You’re likely to be stunned by how great it sounds. out of lover and it’s over,” Davis belts, and you can hear both the hurt and the freedom. Yet this one also feels like it should have been a bigger deal, with its effortless sweep from quiet to loud, the spare verses giving way to the shout-along refrain. At the time this song was just scraping the bottom of the charts, “Only The Lonely” was still a big hit for the band. Lead singer Martha Davis stood out with her torchy, sultry vocals and striking songwriting. The Motels carved out a niche in the early 80s by combining New Wave touches with a noirish, throwback feel. #85 “Take The L.” by The Motels (highest chart position #52) “Even The Nights Are Better” by Air Supply.
Editor’s Note: In this column, CultureSonar explores what the charts looked like this week in a specific year in the past, and finds songs that never reached the Top 10 but deserved better.
0 kommentar(er)
